22 July 2023, Mumbai: In 2020’s blockbuster “Tenet,” Christopher Nolan stunned audiences by blowing up a real 747. Now, for his latest project, “Oppenheimer,” he takes realism to new heights by recreating the historic Trinity Test without relying on visual effects. Cinematographer Hoyte van Hoytema reveals the ingenious methods used to capture the awe-inspiring ten-minute sequence, showcasing the director’s unwavering dedication to in-camera storytelling.
Experiments and Trickery for the Trinity Test
Recreating the first-ever successful atomic bomb detonation was no small feat, but Nolan and van Hoytema were determined to achieve it in-camera for the unparalleled depth of resolution that IMAX provides. The team embarked on numerous experiments, devising creative solutions to capture the essence of the explosive moment without resorting to VFX. Tricks involving aquariums, silver particles, metallic balloons, and more brought the sequence to life, making it a playground of innovation for the entire team.
A Collaborative Effort with Special Effects and Visual Effects
While eschewing VFX, Nolan and van Hoytema collaborated closely with special effects supervisor Scott Fisher and visual effects supervisor Andrew Jackson. The team meticulously experimented with various techniques and combinations to achieve the desired effect. Each experiment was carefully evaluated on screen, resulting in an impressive spectacle that remains shrouded in mystery, keeping the audience captivated.
Intimacy Through the Lens: Oppenheimer’s Point of View
In “Oppenheimer,” van Hoytema’s focus was capturing the intimate perspective of J. Robert Oppenheimer, the central character of the story. Known for his breathtaking widescreen shots, van Hoytema shifted his approach to convey Oppenheimer’s inner thoughts and emotions. The cinematography delved into the protagonist’s psyche, capturing every nuance and expression that allowed the audience to connect deeply with the character.
Engineering Black and White IMAX Stock
Adding another layer of storytelling, Nolan and van Hoytema chose to integrate black and white visuals for scenes depicting the confirmation hearings of Lewis Strauss, portrayed by Robert Downey Jr. The absence of black and white IMAX stock in 70mm prompted van Hoytema to approach Kodak with a unique request. The film supplier worked closely with the team to manufacture the specialized stock, necessitating adjustments in the camera equipment and production process.
A Cinematic Revelation
The challenges of integrating black and white IMAX stock were met with innovation and engineering prowess, resulting in breathtaking results. Van Hoytema recalls the moment he and Nolan witnessed the first black and white test, expressing awe at the unprecedented beauty captured on screen. The seamless blend of black and white and color elements added depth and complexity to “Oppenheimer,” elevating the visual storytelling to new heights.