25 August 2023, Mumbai: Famed cinematographer PC Sreeram has expressed his heartfelt concerns about the recognition of “The Kashmir Files” at the 69th National Film Awards. The movie, which was honored with the Nargis Dutt Award for Best Feature Film on National Integration, has faced its share of criticism for its alleged one-sided portrayal of the Kashmiri Pandit exodus.
Sreeram Criticizes ‘The Kashmir Files’
With a touch of irony, Sreeram took to Twitter to share his thoughts, saying, “Congratulations to all the #NationalFilmAwards2023. ‘The Kashmir Files’ for being judged as the worst film of the decade.” His words seemed to carry a mix of skepticism and a touch of humor, expressing his doubts about the movie’s recognition.
Disappointment over Jai Bhim’s Ignorance
He didn’t stop there. Sreeram raised a thought-provoking question about the absence of Suriya’s celebrated film, “Jai Bhim,” from the list of awardees. “Jai Bhim” sensitively tells the tale of a lawyer championing the rights of the tribal community in Tamil Nadu. Sreeram’s voice echoed with bewilderment as he pondered, “We in the film fraternity are united in our happiness for this year’s National Awards. Did they leave out ‘Jaibeem’ due to any particular reason or is it the voice of INDIA that has given them jitters?
“The Kahmir Files Overview”
The Kashmir Files,” directed by Vivek Agnihotri, has certainly made its mark at the box office. But along with its success, it has also sparked debates about its potential to incite hostility and spread misinformation. The film’s recognition at the prestigious National Film Awards has ignited conversations about creative responsibility, the accuracy of narratives, and the impact of storytelling on shaping public perceptions.
In the vibrant world of cinema, diverse opinions and passionate discussions are part and parcel. Sreeram’s candid critique reminds us that art is not just about entertainment; it can also raise questions, challenge viewpoints, and stimulate dialogues. As the controversy around “The Kashmir Files” continues to unfold, it reminds us that films are more than just moving images – they are mirrors reflecting the complexities of our society.
By Yashika Desai